Friday, November 8, 2019

Interview with Georgie Blalock

Last night, for the first time, I watched the Netflix TV series The Crown, which explores the reign of Britain’s Queen Elizabeth II, starting with her marriage to Prince Philip in 1947. Although the third season doesn’t start for a couple of weeks, word has it that it will pay particularly close attention to the queen’s fraying relationship with her sister, Princess Margaret. But Margaret and her scandalous involvement with Group Captain Peter Townsend, a divorced former RAF pilot who served as her father’s equerry, is already on-screen in season 1. (Note that the scandal had as much to do with his divorce as his romance with the princess—times were different then, especially for British royalty.)

All this brings me to the subject of this week’s blog post, my Q&A with Georgie Blalock, whose historical novel, The Other Windsor Girl—based on Princess Margaret’s tumultuous teenage years, including her infatuation with Peter Townsend—came out just this week. On Guy Fawkes Day, no less, which the English celebrate as Americans do Halloween, but with fireworks and parties instead of Trick or Treat. And although Princess Margaret had no plans to blow up Parliament, at the emotional level her activities were at times just as incendiary where Britain’s rather staid royal family was concerned.

That said, I turn over the mike to Georgie Blalock, with many thanks to her for answering my questions. 

Until now, you’ve been writing historical romance under the name Georgie Lee. What made you decide to switch gears, to a degree, and write about Britain’s Princess Margaret?
 

I love history and there are so many different time periods to explore. I switched gears because I wanted to bring to life a new era in a different way than I’ve done in my past novels. Although there is a romance in The Other Windsor Girl, it isn’t a romance novel. It was fun new challenge for me to write in another genre.

Despite that wonderful and evocative title, your protagonist is actually Vera Strathmore, not Princess Margaret. Who is Vera, and how does she get involved in the princess’s Set?  

Vera is a young woman whose life was irrevocably changed when her fiancĂ© was killed in World War II. In the years since the end of the war, Vera has tried and failed to find a new purpose and future. Through her wit and honesty, she catches Princess Margaret’s notice and is invited into the princess’ inner circle and a life she’d never dreamed possible. Her position as second lady-in-waiting to Princess Margaret gives Vera a taste of glamour and respect but it comes at the price of great personal sacrifice, and insight into the less regal side of royalty. In the end, the once overlooked Vera must decide whether she wants fame by association or a life of her own making.

One of the interesting elements for me was to realize how traditionally “royal” the Windsors still were at the time of your novel. People can’t leave the party before the princess chooses to leave, for example. They have to call her “Ma’am” even when they’re acting like her drinking buddies. How did you research that culture? Is it still the case, and we just don’t realize it because of the tabloids?
 

I did a lot of research for The Other Windsor Girl. I read books about Princess Margaret, the queen, life in Buckingham Palace, firsthand accounts written by former ladies-in-waiting and equerries and anyone who was an intimate part of the day to day running of Clarence House and the royal households. In 1949, when the novel opens, the royals are still very set in the old ways of doing things. I can’t say whether that’s the way it is now. My research kept me firmly planted in the past, but I have to imagine that with Catherine and Meghan that things are not as formal as they used to be.

Yet despite the generally upper-crust/aristocratic atmosphere, Princess Margaret also surrounds herself with Americans, including a doctor who catches Vera’s eye. Who is he? What’s his role in the story?
 

Dominic, the doctor, is a fictional addition to the princess’s story. He’s a man who understands lineage and family tradition because he comes from a line of doctors. However, his lack of awe at the glamour of royalty provides Vera with a more grounded sense of the world. He challenges Vera to see herself as more than a lady-in-waiting, as a woman who could create a life and future through her own determination and talents.

Vera’s “job” in the story includes observing firsthand Princess Margaret’s love for Lord Peter Townsend and later Anthony Armstrong-Jones. What made you decide to use Vera as your point-of-view character on these events, which are well documented?
 

I decided to use Vera as the point-of-view character because she is close to Margaret but not so close as to see all the very intimate aspects of the princess’s relationships. Her slight distance allows the readers to watch with Vera as the two tragedies unfold and feel her frustration at being unable to stop the princess from being her own worst enemy. Through Vera, I offer readers a new take on how the events of Princess Margaret’s life played out.

What did the Royal Family/household know, if anything, about the novel while you were researching and writing it? What was their reaction? Did you have access to official records?
 

The Royal Family was not aware of my novel and I did not request access to official records. Although the novel is based on real people, places, and events, it is a work of fiction and I wanted the freedom to manipulate the facts to create the story I wanted to tell.

Do you already have another novel in the pipeline?  

My next novel is tentatively titled The Last Debutante. It centers on Valerie de Vere Cole, daughter of the famous prankster Horace de Vere Cole and the niece of Neville Chamberlain. It follows her during her 1939 London debutante season, the last glittering one before the start of World War II. Her unique position as a deb and a resident of No. 10 Downing Street gives her a distinctive view of the world at that moment in time and the coming war. 

 


Georgie Blalock is an amateur historian and movie buff who loves combining her different passions through historical fiction, and a healthy dose of period piece films. When not writing, she can be found prowling the nonfiction history section of the library or the British film listings on Netflix. Georgie writes historical romance under the name Georgie Lee. Find out more about her at http://www.georgieblalock.com.

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